Josephine Birch
Mixed-media drawing and watercolour, indigo and aubergine, figures asleep and a dog at the foot of the bed. The 'Midnight' piece sets the palette for the show.
A Dartmouth gallery and bespoke picture-framing workshop run by Mark Riley, the fourth generation of his family in fine art. Czech painter Milos Jiranek founded the Manes Society in Prague and brought Rodin and Munch to exhibit. Paul Riley was accepted into the Royal Academy summer exhibition at fifteen. Today the work and the bench live above the market square at 20 Foss Street.
A three-artist show opening on Dartmouth Galleries Night, Friday 22 May, 18:00 to 20:30. The gallery is open and the artists are in.
Mixed-media drawing and watercolour, indigo and aubergine, figures asleep and a dog at the foot of the bed. The 'Midnight' piece sets the palette for the show.
Animal-track carbon capture on smoked glass. Real claw and pawprint marks recorded directly on the plate, then framed black-on-black in our workshop upstairs.
"That period of nocturnal activity that comes alive as most of us sleep."
Drypoint, charcoal, and watercolour studies of nocturnal animals and night skies from the Devon and Cornwall coast. Available to view in the room and on request.
A roster of around forty artists, hung in considered six-week shows from spring through to autumn. Royal Academicians Sir Peter Blake, the late Sandra Blow, Barbara Rae and the late Sir Terry Frost have shown here alongside Bridget McCrum, Jilly Sutton, the bronze and ceramic sculptors of the South Hams, and a steady current of recent graduates from the annual Rising Stars exhibition each October.
Every piece on the gallery wall is framed in-house by Mark, in a working bench above the market square reached by the exterior staircase. Mouldings selected from the full catalogue range and matched to the piece, not to a house style. The bench has framed textiles, three-dimensional sculptural pieces, glass-on-glass works like Martin Prothero's animal-track carbon-capture. Reasonably priced. Ring 07890 314 715 to arrange a bench visit.
A continuous programme of curated exhibitions. Nocturnes (Josephine Birch, Sarah Gillespie, Martin Prothero) opens on Dartmouth Galleries Night this Friday 22 May and runs to 15 June. The annual Rising Stars graduate show closes each October. Past programming has run from Sir Peter Blake silkscreens (2011) through Animalia, Tree Life, Masters of Silkscreen (2017, Blake and Rae together) to Paul Riley at 80 (2024).
The gallery roster travels. Most years includes the Affordable Art Fair at Alexandra Palace in January and the Fresh Art Fair at Cheltenham Racecourse in April, bringing Foss Street work in front of London and Cotswold collectors. The fair calendar is a deliberate reach beyond the South Devon coast for collectors who cannot make the drive down to Dartmouth.
The Riley family has been in fine art for four generations. The earliest of those was Czech painter Milos Jiranek (1875 to 1911), who founded the Manes Society in Prague and brought Auguste Rodin and Edvard Munch to exhibit. His granddaughter and grandson Cecil and Joan Riley both trained at the Slade. Their son Paul, Mark's father, was accepted into the Royal Academy summer exhibition at fifteen.
Today, Mark Riley, an Art History graduate of Aberdeen, runs the gallery on Foss Street and frames every piece on the wall himself. His sister, Lara Lloyd, runs Coombe Farm Studios at Dittisham with her husband Martin, where Paul still teaches. The gallery is the Dartmouth shopfront of a family that has been at this for the better part of 150 years.
One of the youngest artists ever accepted to the Royal Academy summer exhibition. On Paul Riley, then aged fifteen
For a piece on the wall, for a private viewing of a roster artist, for a framing job upstairs. Walk-ins welcome during gallery hours. For the workshop specifically, ring 07890 314 715 first because Mark is often at the bench.
20 Foss Street
Dartmouth, Devon
TQ6 9DR
Gallery · 01803 835 820
Framing · 07890 314 715 (Mark's mobile, the bench is upstairs)
Email · mark@coombegallery.com
Find us · Foss Street is pedestrianised, a short walk back from the Boat Float. Park at Mayors Avenue or the Park & Ride from Townstal.
Saturdays are afternoon-only. Mark is at the framing bench upstairs through the morning, and opens the gallery for the visitor footfall after lunch. For the workshop on a Monday or Sunday, ring 07890 314 715 to arrange a bench visit.
Everything in-house. Mark frames every piece on the gallery wall himself, in the workshop up the exterior steps from the market square. The framer is also the buyer, which collapses the usual gallery-to-framer hand-off. The framing line for the public is 07890 314 715 because the bench is upstairs and the gallery phone is rarely staffed when Mark is framing.
All of those. The current Nocturnes show alone includes Martin Prothero's carbon-on-glass work and Sue Potter's blind-embossed paper-stitch piece, both framed in-house. The workshop has framed textiles, antique tapestry, three-dimensional sculptural pieces, prints with conservation glass, and standard solid-wood frames for watercolours and oils. Mouldings come from the full catalogue range, matched to the piece. Ring 07890 314 715 to arrange a bench visit.
A coordinated late-opening across the independent galleries on and around Foss Street and Duke Street. Held twice a year, with wine, the artists in attendance, and a programme that runs from around six in the evening to half-past eight. Nocturnes opens on the May 2026 edition, this Friday 22 May from 18:00 to 20:30.
Yes. The gallery exhibits at the Affordable Art Fair at Alexandra Palace each January and the Fresh Art Fair at Cheltenham Racecourse each April, and ships to buyers from both fairs as a matter of course. International shipping arranged on request. Email mark@coombegallery.com with the piece and the destination.
Yes, walk-ins are welcome during gallery hours. For the workshop itself, ring 07890 314 715 first because Mark is often upstairs at the bench. Quotes are given against the piece itself once Mark has seen it, with moulding catalogues to hand. No deposit needed for a quote.